Paganini Music

Mr. Pál Rácz Gold-laurate Violinmaker master

  • Magyar
  • English



Nemessanyi, Budapest 1879

May 23, 2019

Racz violin-studio Gurneri copy 2018

January 15, 2019

After Guarneri del Gesu Lord Wilton 1942

January 15, 2019

First violin in 2019

New Tv show with Pál Rácz (Hír TV)

April 4, 2017

International Violin Making Competition – jury member, Pisogne

April 4, 2017

Az a megtiszteltetés ért, hogy a Pisogne-ban megrendezésre kerülő Nemzetközi Hegedűkészítő versenyen zsűritag lehettem. Hatalmas élmény volt, kiváló kollégákkal zsűrizhettem együtt.

Mint például: Roberto Collini (Olaszország), Carlo Vettori (Olaszország), Elisabetta Giordano (Olaszország), Zhen Quan (Kína), Edrio Edrev (Bulgária)

International Violin Making Competition, Sforza Castello Milano

April 4, 2017

2016 may, I participated in an International Violin Making Competition in Milan as a jury member. The competition took place in the famaous and marvellous Sforza Castle. It was a hudge respect to be part of this amazing event.

New video of Duna TV

April 4, 2017

New interview with Pál Rácz of Duna Tv Morning Show.

The master performances for a young children

April 4, 2017

The young violinist generations listens to the secrets of Stradivarius violins.

The master performances for a young children.

„We are the part of a Soul Doctor service”

April 4, 2017

A számos nemzetközi verseny zsűrijében tevékenykedő francia művész A vonó című, háromkötetes könyvét is elhozta Magyarországra.

Rácz Pál hegedűkészítő mester meghívására tartózkodott Budapesten a világ egyik legnevesebb vonókészítő mestere, Bernard Millant.

Fiftheen thousand bows was made before it based on a true story and was written down in a book Bernard Milliant visited Budapest by accepted an invitation of Racz Pal, a famous Hungarian violin maker who says the French master is one of the best individual in the whole planet who ever made violins. Milliant, who has served on the jury for many international competition, brought his 3-volume book The Bow, to Budapest.

Milliant believes in that a bow made by just 2 days, but finishing one takes about one or two weeks.

„I was born in a violin maker family where our root has been dated back to the 18th century. Unfortunately, I am the last carrier for this tradition in my family, because I have no child, but Loic Le Canu, who is responsible for my book`s photography, takes over our family trade as my adopted son- says Bernard Milliant, who is trusted and respected as the Father of the violin bow by the most of the string instruments musicians around the world.

I had spent 3 years in Mirecourt, in a little French town, what called as the cradle of violin making. Half of the string istrument makers, and 90 percent of violin bow makers linked to this town. Mirecourt looks like Cremona in Italy, and it could be compareable by significance – the Master tells, and furthermore he says the beginning for him was extremely hard.
Music after the Second World War, has not been that important as before. People may have forgotten it, as they have closed piano fallboards, and music had been falling down that has emerged from the development of tehcnology as televisions, or cars gain ground, so people have not paid attention to the music, musicians or instruments. He had to face with a problem at the time, if he continued his violin making work, as his father was done, he could be broke, so Millant has decided to repair instruments instead.
„One day I left an eye on some old Pernambuco wood in one of my customer`s house, and I bought it. I was so happy, because I have learnt how to make violin bows, in Mirecourt, and I knew that exactly, for the best outcome in a bow making, some 40-50 year old Pernambuco wood needed. I have finished my first bow, what was not a masterpiece, but it was sold. I had worked as a repair man, but continously I have been making bows, and slowly but surely I reached some famous music artists with my special skills.” – Millant says about the beginning.

„A violin can be used by everybody, but the bow is just for personal use. The sound of a violin always comes up as a 3-party celebration, the roles are taken by the musician, and the violin, but the bow is so important, actually without it both above cannot be complete. Before the 18th century musicians had looked up at the violin bow as an accessory, but these days the bow plays the most important part in the quality of the sound of a violin.” – narrate the story how Millant became a bow maker genius. As he told: „If we search for a violin, we take a good look at it, which size we look for, how much we want to spend on it, and what kind of types we would buy. A bow is taken in a different kind: if a person needs one who plays in a music band, he takes a strong one, because he plays in a group as a part of it. If you are a solo artist, who is alone on stage, you use a more sensitive bow: oxidation process is particularly important. You need a flexible bow, that you can control easily. You also have to notice that when you play composition from Mozart, Bach or Dvořak, you need a completely another one. If we compare this situation to competition horses, I would say a violinist in a music group needs a reliable, great horse, while a solo artist needs a passionate racing horse.”